

Project Notes
Project Notes
Project Notes



Behind the Laurels is where trophies dissolve and stories remain. In this first exhibition, films from Cannes, Venice, and Berlinale escape their frames to inhabit rooms—a bed where memory sleeps, a desk where longing writes itself, a window where exile looks back. You walk, and cinema walks with you—every step a passage through the private landscapes of a director’s mind.



Behind the Laurels is where trophies dissolve and stories remain. In this first exhibition, films from Cannes, Venice, and Berlinale escape their frames to inhabit rooms—a bed where memory sleeps, a desk where longing writes itself, a window where exile looks back. You walk, and cinema walks with you—every step a passage through the private landscapes of a director’s mind.



Behind the Laurels is where trophies dissolve and stories remain. In this first exhibition, films from Cannes, Venice, and Berlinale escape their frames to inhabit rooms—a bed where memory sleeps, a desk where longing writes itself, a window where exile looks back. You walk, and cinema walks with you—every step a passage through the private landscapes of a director’s mind.


















